Telefilm Canada is pleased to announce the inaugural finalists of its Micro-Budget Production Program – eight promising creators among today’s emerging filmmakers across Canada.
This new program, which was launched in June 2012 with a budget of $1 million, is intended to support new filmmakers seeking to produce their first feature-length films, with special emphasis on digital-media production and marketing methods. Candidates for this year’s program were recommended to Telefilm through a network of 25 partners from all regions of the country.
The Program’s finalists will be featured at the Regard sur le court au Saguenay short film festival (March 13-17), where a special program will present a selection of shorts from their earlier work.
Crawlspace, by Christian Sparkes (director), Allison White and Chris Agoston (producers)
Partner: Nova Scotia College of Art & Design (NSCAD) University
Down in the Valley, by Kyle Thomas (writer, director, producer) and Cameron MacGowan (producer)
Partner: Calgary Society of Independent Filmmakers (CSIF)
The Editor, by Matthew Kennedy and Adam Brooks (directors and producers)
Partner: University of British Columbia (UBC) Film Production Program
The Next Morning, by Matt Sadowski (writer, director, producer) and Peter Harvey (producer)
Partner: National Screen Institute – Canada (NSI)
The Secret Trial 5, by Amar Wala (director, producer) and Noah Bingham (producer)
Partner: York University
Two4One, by Maureen Bradley (writer, director)
Partner: Creative Women Workshops Association
Un film de chasse de filles, by Julie Lambert (writer, director, producer), Sonia Despars and Marc Biron (producers)
What We Have, by Maxime Desmons (director, producer) and Sally Karam (producer)
Partner: Canadian Film Centre (CFC)
To determine the finalists, a selection jury reviewed 24 preselected projects recommended by Telefilm’s network of partners – recognized educational and training institutions whose film production programs provide a privileged lookout to spot emerging talent in their respective regions. The producer of the project must be a student or recent alumnus from one of these partners’ production programs or an active member of a film cooperative that is part of the network.
The jury was made up of Regional Feature Film Executives at Telefilm, headed by Stephanie Azam, Telefilm’s National Feature Film Executive – English Market, and Marie-France Godbout, National Feature Film Executive – French Market, and by Montreal film director, programmer and inventor Vincent Morisset in the capacity of external expert. Among his many projects, Morisset has worked with the rock band Arcade Fire, for whom he directed an interactive video for Neon Bible, considered to be the first-ever interactive video clip, and a documentary on the group entitled Miroir Noir (Black Mirror). He is also the founder of the AATOAA Studio.
n order for a film project to be eligible for the Micro-Budget Production Program, its producer must have produced or directed at least one short film. As a result, the Regard sur le court au Saguenay short film festival has decided to help Telefilm spotlight this year’s Micro-Budget Program finalists and their talents in a special program of short films they have produced in the past.
” The Micro-Budget Production Program targets emerging talent in Canada’s audiovisual industry and will support them in the production and release of a first feature-length film, with an emphasis on digital platforms and their potential for wide distribution and audience involvement.
Telefilm will contribute a maximum of $120,000 in funding per project. Finalists must use this contribution to produce, distribute and promote a feature-length film for release to the general public within 15 months of signature of the Telefilm contract, via one or more distribution platforms, with special emphasis on digital media.
This year, Technicolor Canada will participate in the program as exclusive partner in post-production services. The company will offer a sponsorship valued at $15,000 to finalists who choose Technicolor to provide post-production services for their feature-length film.