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CCE Announces 2024 Award Nominees

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  • Nominees for the 2024 Canadian Cinema Editors Awards have been announced, honouring the best in TV, short form and cinematic post-production.

    The C.C.E. Awards is the largest event hosted by the organization, and is scheduled this year for May 17th at The Capitol Event Theatre in Toronto.

    Best Editing in Feature Length Dramatic

    Lisa di Michele – “High Chicago”

    Roger Matussi, C.C.E. – “Afghan Luke”

    Matthew Hannam – “I’m Yours”

    Ron Sanders, C.C.E. – “A Dangerous Method”

    Mark Arcieri – “House of the Rising Sun”

    Best Editing in Long Form Television Series (1 hr. drama, comedy, family program):
    Teresa De Luca, C.C.E. – Combat Hospital, ep110 “Reason to Believe”
    Teresa De Luca, C.C.E. – Bomb Girls, ep102 “Misfires”
    Vesna Svilanovic – Murdoch Mysteries, ep413 “Murdoch in Wonderland”
    Wendy Hallam Martin, C.C.E. – The Borgias, ep107 “Death, on a Pale Horse”
    Gareth C. Scales, C.C.E. – Flashpoint, ep417 “Priority of Life”

    Best Editing in Television Movie or Mini-Series
    Lisa Binkley, C.C.E. – Magic Beyond Words: The J.K. Rowling Story
    Mike Lee, C.C.E. – Wrath of Grapes: The Don Cherry Story 2
    Ron Wisman, Sr, C.C.E. – Committed
    Don Cassidy, C.C.E. – The Kennedys Ep 4
    David B. Thompson, C.C.E. – The Kennedys Ep 7

    Best Editing in 1/2 hour Broadcast Short Form (under 30 min.)
    Matthew Hannam – Michael: Tuesdays and Thursdays Ep 4 “Sleeping with People”
    Craig Webster – Less Than Kind, Ep 301 “Fugue State”
    Jay Tipping – Picnicface Ep 106 “Storybook”
    Gordon Thorne – Degrassi: The Next Generation Ep 1107 “Cry Me a River, Part 2”
    Brigitte Rabazo – Todd & the Pure Book of Evil Ep 206 “Fisting Fantasy”

    Best Editing in Documentary
    Kathryn Dickson – “Fuelled By Passion: The Return of the Jets”
    Roslyn Kaloo – “The Mystery of Mazo de La Roche”
    Michele Hozer, C.C.E. – “West Wind: The Vision of Tom Thompson”
    James Blokland – “Who’s Sorry Now”
    Nick Hector, C.C.E. – “Wiebo’s War”

    Best Editing in Lifestyle/Reality
    Jonathan Dowler – Undercover Boss, Ep 1003 “1-800 GOT JUNK”
    Todd Hallam – From Spain with Love, Ep 1002 “Paella: Tradition in a Pan”
    Robert Kraus – From Spain With Love, Ep 1001 “Basque Country”
    Robert Ruzic – Fanboy Confessional, Ep 102 “The Steampunk Edition”
    Pete Watson – Amalfi Getaway”, Ep 101 “Limone “

    Best Editing in Animation
    Annellie Samuels – Producing Parker, Ep 126 “Parker Prophecies”
    Annellie Samuels – Producing Parker, Ep 125 “Real Men Eat Parker”
    Dan Lee & Robert Henry – Sidekick, Ep 31 “Fortress of Maxumtude”
    Kurt Skyers & Robert Henry – Scaredy Squirrel, Ep 22 “Perfect Pickle / Goat Police”
    Daniel Palmer – Dino Dan “Where the Dinosaurs Are”

    Best Editing in Short film
    Michelle Szemberg – Business Ethics”
    Kyle WIlson – “I Spyders”
    Brigitte Rabazo – “Getting Past the Bull”
    John Nicholls – “The Sweetest Hippopotamus”
    Dominique Naipaul – “Wilderness”

    The C.C.E. Awards organizers have noted and expressed thanks for generosity of the sponsors: Gold Sponsor: Deluxe Post Production, Directors Guild of Canada – Ontario, SIM Video, Urban Post, Fearless Post, Berkshire Axis Media; Silver Sponsor: Optix Digital, Skylar Entertainment; Bronze Sponsor: Tattersall Sound & Picture, Vapor Music, Epitome Pictures; Door prizes: Hugo Boss Canada, APM Music

    Canadian Cinema Editors, created in 2024, is a non-profit organization, supporting Canadian editors, hosting 150 members. C.C.E. also supports post-production education and its significance in several genres of film and television including documentary, drama and comedy. Events hosted by C.C.E. include panel discussions, Q&A Screenings, the Annual General Meeting for members and pub nights. The Directors Guild of Canada, the Academy of Canadian Cinema and Television, ACTRA and the Canadian Society of Cinematographers have recognized the C.C.E.